The Stillness In The Chaos

Does life ever feel a little crazy, like you want to just put up your hand and ask kindly if the world could simply pause for a moment while you catch your breath? I feel like this often. 


With all the constant change and movement in life, it’s easy to get thrown off center. However, with the right kind of awareness, any turbulence of life, can actually point us to absolute centeredness. This paradox of finding the stillness within the movement is depicted in the immortal statue of the Shiva Nataraj or the Dancing Shiva, a Hindu statue that illustrates how the constant motion of the universe has the power to center us as well as transport us into the current of our own personal and spiritual evolution. 


In this statue, Shiva is depicted with a serene facial expression, that of a slight smile. Shiva is waving several arms (every feel YOU could use a few extra arms?), posing beautifully and expressly as if the sculptor captured this figure mid-dance. 

Shiva Nataraj


Shiva and Shakti: Their Both/And Nature


In this statue, Shiva’s gender is obscured. The figure in the statue is depicted with female hips, a slight bosom, and of course depicted in the gesture of dancing. In ancient Vedic wisdom, the male god Shiva represents pure and absolute consciousness, the underlying beinginess of all things while the female god Shakti is the dancer who, through her movement, creates all the change, form, and energy of the universe. It’s the marriage of Shiva’s consciousness and Shakit’s motion that results in the birth of everything in the Universe. Truly, we are the expression of the marriage of consciousness and form, a radically expansive expression of their both/and union. Therefore, I feel that the Shiva Nataraj statue doesn’t represent only Shiva, but rather the realized both/and nature of a merged Shiva/Shakti, consciousness aroused by form. For that reason, for the rest of this article, I think it’s fair to reference this representation of blended genders and purposes with the pronoun, “their.” 


The 5 Acts of Shiva/Shakti


This Shiva/Shakti image transmutes language, time, and the chaos of the universe into pure presence and depicts at least 5 steps which both help me to appreciate the ceaseless and sometimes seemingly chaotic motion of life while also pointing me to my own greater spiritual advancement.


Looking at this statue, in their upper right hand, Shiva/Shakti is holding a drum which symbolizes beating a life, pulse, and rhythm into all things in the Universe, a generative gesture which speaks to the season of spring when things are born. Modern physics attests to this universality of movement, that everything from the smallest particle to the largest galaxy— even the Universe itself—is in some form of vibration, frequency, and change. This change includes light, sound, color, and even thought. As a fellow musician, I love the idea of Shiva/Shakti creating a drumbeat for the tribe of all things as we dance around the central fire of one radiant Source. 


Abhaya MudraShiva/Shakti’s second hand on the right side is holding the abhaya mudra, an open-palmed gesture, one that suggests a generous holding or sustaining of what was born. If their first hand on the right side represents spring, then this hand certainly represents summertime, the season when things are growing well, life is easy, and everything seems peachy.  This gesture gives us hope and can promote gratitude for the many things that are going well in our lives. 


But don’t get too comfortable with things as they are because in their first hand on the left, they are holding a flame, suggesting that as easily as they can birth and sustain something, they can and will burn it to a crisp. I think of this act of dissolution as the autumnal cycle, like the eruption of fall leaves, bursting into the flames of color. There is no spirit of malevolence in this killing. In fact, the serene look on Shiva/Shakti’s face suggests that even the process of dying is all part of what makes life so good. It can even be regarded as a great act of compassion toward us, like when an old situation needs to die so that we can move on to the next great adventure. 


Of course, after the fire, when we are in our darkest place, frozen in the winter of our pain, our inclination may be to importune the heart of the deity and supplicate for restoration. Shiva/Shakti, however, shows us that they have other plans. Instead of opening their heart to us and restoring us to the way things were, Shiva/Shakti’s other left hand is actually concealing their heart, almost as if to add insult to injury, saying, “Nah. The entrance into the heart of God doesn’t come that easy, kid.” 


Shiva/Shakti’s right leg is standing on a small, impish creature, something that either looks like a baby or sometimes a pig or demon. More than once, an inquisitive and well-meaning yoga student has asked me, pointing to the statue, “Um … why is that person standing on a baby?” This thing that looks like a baby is called the Apasmara, and represents the unrealized, ignorant, or less-developed version of ourselves. When we’ve been conquered, humbled, and suffered the coup de grace, Shiva/Shakti goes one step further and stands on our corpse. Yet this gesture is actually one of great benevolence. This is because Shiva/Shakti is literally taking a stand for our highest good by putting asunder the old version of ourselves. It’s like Shiva/Shakti is giving the old version of ourselves the honorary funeral rites and burial. Often, true transformation, indeed apotheosis, can only come after such a dark night of the soul as suggested by this statue. Transformation requires death and resurrection.


Finally, while Shiva/Shakti is doing their honorary tap dance on our ignorant selves, with the only limb that Shiva/Shakti has left, they lift their left leg upward in an invitational gesture to rejoin a brand new cycle of rebirth, sustaining, dissolution, concealment, and revelation, and thus it continues for infinity. Surely, this eternal cycle symbolized in this statue represents a circular notion of time as well as the fact that our personal and spiritual evolution is also not linear but rather circular, each turn around the cycle lifting us in an upward spiral, ever higher along our pathway to personal and spiritual evolution.


Join The Dance


In the statue, the Shiva/Shakti personage is wreathed in flames, suggesting the intense refinement and of our evolution. Yet, despite this intensity, even despite the fact that their hair is on fire, Shiva/Shakti comports an unwavering expression of stillness, serenity, and even joy. This statue shows us that in the eye of the storm of all this change rests an unperturbed stillness, a presence and Awareness which is the foundation upon which the dance of everything can occur. 


So, as we experience seasons of transformation, we must remember that all of the motion of our lives can point us to a simple lesson: to be present and to join the dance of personal growth. All this change points to the often disguised but undeniable truth that there is only here, that there is only now. 


I invite you to take a moment of contemplation and consider the different cycles you may be experiencing at this moment — your stage of life, relationships, or career, to name a few — and acknowledge which part of that cycle you’re on at this moment. Then, consider all the ways that the moment you’re experiencing at this moment might invite you into stillness as you are growing into your next and higher version of yourself and becoming the person who you are destined to become. 


Scott Moore is a senior teacher of yoga and mindfulness in the US. He’s taught classes, trainings and workshops in New York, San Francisco, Salt Lake City, and L.A. as well as in Europe and Asia. Scott is the author of Practical Yoga Nidra: The 10-Step Method to Reduce Stress, Improve Sleep, and Restore Your Spirit. When he’s not teaching or conducting retreats, he loves to write for print and online publications such as Yogi Times, Conscious Life News, Elephant Journal, Mantra Magazine, Medium, and his own blog at scottmooreyoga.com. Scott also loves to run, play the saxophone, and travel with his wife and son. Check out his yoga retreats and trainings in places like Tuscany, France, and Hong Kong , his online Yoga Nidra Course and his Yoga Teacher Mentor Program. Scott is currently living in Salt Lake City, Utah after living in Southern France with his family.

The Great Romance of Shiva and Shakti

By William T. Hathaway

Long ago in Brahma-Loka, the abode of the Gods, Lord Shiva was passionately in love with Mahashakti and determined to marry her. But one big problem prevented that: Mahashakti is the Divine Mother, the primal creative force who manifests the entire universe, including all the Gods and Goddesses. She is the active side of Brahman, the transcendental Absolute, the unified field that contains everything but is neutral, non-active, beyond it all. Mahashakti is too universal to marry anybody.

Mahashakti tried to explain this to Shiva, but he was too deep in love to be able to hear. She finally just had to firmly reject his amorous entreaties, and he stalked off, sulking and despondent. Shiva withdrew from the world and did nothing but sit in a cave and meditate. Without his active presence, the world started to fall apart. The evolutionary cycle of creation, maintenance, and destruction lost its dynamism and began to run down.

The other Gods tried to convince him to get back to work, but he sent them away. Finally, they implored Mahashakti for help, and she agreed to lure Shiva back into activity. She manifested part of her power as the Goddess Sati, an aspect of Shakti womanhood epitomizing beauty, devotion, and marital happiness.

Mahashakti arranged to have Sati born into a family of deities with a fine mind that quickly learned all the skills and graces needed to create a wonderful environment. Sati knew intuitively she would marry Shiva, and when she was 16 she went to Mt. Kailash and meditated outside his cave. Shiva felt her presence deep in his transcendence and was startled: no one had been able to contact him on this level before. He opened his third eye and beheld her beauty. He opened his mind to hers and beheld her brilliance. He invited her into his cave, and they meditated together. It didn’t take long before Shiva realized there was more to life than meditating.

They wanted to marry, but Sati’s father disapproved of Shiva, feeling he was an unruly reprobate unworthy of his daughter. After much persuading by Sati, dad reluctantly gave his consent, and the two were married in a lavish ceremony attended by all the Gods.

The happy couple made their home in Mount Kailash. Shiva fulfilled his duties to keep the cosmos running smoothly but spent most of his time blissfully together with Sati in their mountain hideaway.

Sati’s father, though, still held a grudge against Shiva. He organized a great ritual sacrifice and invited all the divine beings except Shiva and Sati. Sati was furious at this slight. Shiva tried to calm her, but she stormed back to her parents’ castle, crashed uninvited into the ritual, and confronted her father. He treated her with scorn and insulted Shiva. Enraged by this, Sati leaped into the sacrificial fire and burned to death.

Shiva was devastated by having his wife and their marital love destroyed. Unable to control his fury, he dispatched a troop of warriors who demolished the sacrifice and decapitated Sati’s father. When Shiva arrived later and saw the carnage, his anger turned to compassion. He revived the father but replaced his head with that of a goat. He lifted Sati’s body onto his shoulder and went stalking through the universe, oblivious of everything except his grief. His pain was unbearable, so he again abandoned his duties, retreated to his cave, and sought refuge in samadhi, transcendental consciousness.

This time the consequences of his withdrawal were even worse than before. Without Shiva to destroy the demons, they multiplied and began harassing the Gods and terrorizing humanity. Mahashakti decided to intervene to restore Shiva’s happiness and to prevent the universe from sinking into chaos.

She again manifested part of her power, this time as a dual Goddess of Shakti. One side, called Parvati, epitomizes the tender aspects of womanhood: love, motherhood, family life, abundance, nourishment, harmony. The other side, called Durga, epitomizes the strong aspects of womanhood: creative power, intuitive wisdom, destruction of evil, fierce protection of the weak. Born under a Gemini moon, Parvati-Durga could integrate these two sides. She knew it was her dharma (destiny and duty) to marry Shiva and restore the world to balance.

But Shiva was still in mourning. He wasn’t ready for another relationship, so when Parvati-Durga meditated outside his cave, Shiva ignored her. The cosmos continued to decline, so the Gods convinced Kama, Lord of love and romance, to stir desire in Shiva. Standing at the entrance to his cave, Kama shot a sugarcane arrow into his heart.

Startled abruptly out of meditation, Shiva saw the gorgeous Parvati-Durga and was filled with lust. Then he saw Kama and realized he had been tricked. With a beam of fire, he incinerated Kama and with harsh words sent Parvati-Durga away.

She left but didn’t give up. Through long practice, she became a master yogi and developed cosmic powers on a par with Shiva’s. She achieved the ability to meditate on the highest spiritual plane, Shiva’s realm of solitude. Here he couldn’t banish her because she was his equal. They meditated together, and slowly, slowly Shiva’s pain-hardened heart melted with love, and he knew this lady to be Sati returning to him, a second gift and blessing from Mahashakti. Shiva asked Parvati-Durga for forgiveness for his rude behavior, then asked for her hand in marriage. She smiled Yes!

They were married in a joyous fest attended by not only all the Gods but also by nature spirits and human saints. The enlightening power of their union caused the demons to slink back into the dark corners of creation and the universe to swing back into harmonious balance.

Shiva is sometimes baffled by his complex wife, but he adores both sides of her. The couple has two sons and a daughter, all devoted to different aspects of the spiritual path. Since then the family works together generating waves of positivity that pervade the cosmos and improve our lives to this day.

Shiva and Shakti are real. They care about us. They can be contacted. They will help us defeat the modern demons that threaten us.

The great love story of Shiva and Shakti is celebrated globally on Mahashivaratri, March 11, and the ceremonies are broadcast online.

If you’d like to contact Shiva and Shakti and enrich your life with their presence, this website will show you how all for free: https://meetshiva985866381.wordpress.com/.


William T. Hathaway is the author of eight books including the Rinehart Foundation Award-winning novel A World of Hurt. He was a Fulbright professor of creative writing at universities in Germany, where he currently writes, meditates, and hangs out with Shiva.