Buck Rogers | Waking Times

It’s hard to tell sometimes if art is imitating life, or vice versa. Add to that the fact that we live in a world heavily manipulated by a massive deep state apparatus with unlimited funding to experiment with the weaponization of any and all technology, and you may find yourself wondering if the big screen is trying to send you a wake up call.

“In the future, the technology that controls the weather controls the world.” ~Geostorm

Following in the footsteps of flicks like Independence Day and Armageddon, a new apocalypse-themed, big-budget movie introduces the concept of weaponized weather to the general public. Geostorm, a Warner Brothers and Skydance production coming to the theaters in October of 2017, pitches the classic hero-father against the technology of geoengineering and weather modification.

“After an unprecedented series of natural disasters threatened the planet, the world’s leaders came together to create an intricate network of satellites to control the global climate and keep everyone safe. But now, something has gone wrong — the system built to protect the Earth is attacking it, and it’s a race against the clock to uncover the real threat before a worldwide geostorm wipes out everything…and everyone along with it.” [Source]

The film appears to blend an assassination plot on the president with climate change hype, geoengineering technology, terrorism, mass murder and swashbuckling hero-violence. In one trailer for the film, a Democratic U.S. President tells the world, “Thanks to a system of satellites, we can control our weather.”

“We built this system of satellites to stop natural disasters,” says another character. “This wasn’t some malfunction,” says the leading lady, to which actor Gerard Butler replies, “Someone intentionally did this.”

The preview continues with the following dialogue, which pretty much sums up the current line of thought by independent researchers and analysts who’ve been working for years to expose these weather manipulation programs as technologies of control.

“We built this system of satellites to stop natural disasters. Someone is using it to create them.”

“There’s potential for catastrophic weather events on a global scale. A geostorm!”

“Someone has turned the system into a weapon.”

To build upon the theme of fictionalizing well-documented plans to control global population with all-powerful government programs, Geostorm even features heavily armed United Nations troops in blue helmets coming to the rescue of devastated civilian populations.

“We built this system of satellites to stop natural disasters,” says another character. “This wasn’t some malfunction,” says the leading lady, to which actor Gerard Butler replies, “Someone intentionally did this.”

The preview continues with the following dialogue, which pretty much sums up the current line of thought by independent researchers and analysts who’ve been working for years to expose these weather manipulation programs as technologies of control.

Media like this continues the work of normalizing government weather modification, presenting them as necessary evils in a time when human beings are in peril of being consumed by an angry planet. It’s man vs. nature of the highest order.
It’s all fun and games, of course, just entertainment, unless you pit this material against the ever-growing body of public evidence that weather control systems of this nature are already being developed and are in use in our world today. They are slowly being introduced to the public in the mainstream media, framed as survival tools.
Recently, physicist Dr. Michio Kaku acknowledges the plan to fire trillion watt lasers into the sky to control the weather.

Read the rest of the article here.

About the Author

Buck Rogers is the earth-bound incarnation of that familiar part of our timeless cosmic selves, the rebel within. He is a surfer of ideals and meditates often on the promise of happiness in a world battered by the angry seas of human thoughtlessness. He is a staff writer for WakingTimes.com.

This article (Geostorm – Hollywood Introduces Weaponized Weather and Geoengineering to a Dumbed Down Public) was originally created and published by Waking Times and is published here under a Creative Commons license with attribution to Buck Rogers and WakingTimes.com. It may be re-posted freely with proper attribution, author bio, and this copyright statement.

By Jill Mattson | *Jill’s Wings of Light

All over the globe for thousands of years, ancient people performed rain dances. With no successes this practice would die out. Apparently it worked. I was curious – what is it about the rain dance, the singing and dancing that helps it to rain? Music was a tool that was used in ancient times for many practical purposes, such as making rain for drinking and crops. We have long forgotten the practical value of sound and music.

With my detective coat on and magnifying glasses in hand I went on a venture to discover how does a rain dance work?

Can we affect weather today? Traffic and industrial exhaust decreases on weekends, resulting in an increase of rain by 20 % on weekends. Poor weather conditions have been blamed on the High Frequency Active Auroral Research Program (HAARP). We definitely have the technology to understand how to make it rain. So this goal is obtainable!

What do we know about the basics of rain? All air contains water, but near the ground it is usually an invisible gas called water vapor. When warm air rises, it expands and cools. Cool air can’t hold as much water vapor as warm air, so some of the vapor condenses onto tiny pieces of dust in the air and forms droplets around dust particles. When billions of these droplets accumulate they become a visible cloud. Hmmm, if one is fishing for rain, a cloud is like a fish in the ocean of the sky.

As clouds and their water droplets accumulate, the droplets bind together and form even bigger drops. When the drops get too heavy, they fall because of gravity. Bigger and denser clouds allow the shaman to wring the precious water droplets out of the cloud.

How did ancient shamans squeeze water droplets out of the cloud? One helpful thing would be to make the air rise. A fire in the middle of the rain dance might be instrumental – making hot air rise. Long ceremonies of dance and song would also create heat.

The water droplet is sticking to a dust particle until it gets too heavy or it is shaken and falls free. Ancient people knew sound waves blended with all physical things – including their environment. Water droplets were vibrated with singing, drumming and dancing. This helped the water droplet overcome cohesion and release from the cloud.

Ancient stories suggest that there were better times for rain dances. They noticed how at different times it felt different. It feels different at dawn than at noon. It feels different in July than it does on a snowy Christmas morning. Ancient people noticed what it felt like right before it rained. They matched this feeling to create good conditions for rain. Ancient people noticed that it felt more like it might rain prior to a full moon when “watery” forces are strongest. This would be an excellent time for a rain dance.

Different groups experimented with types of dances, rhythms, pitches and vowels sounds that were the most effective in creating rain the fastest. Which musical vibration shook the water droplets the most? Even the color of what they wore as clothes or on their faces would subtly add to the vibrational stew. Rain dances were certainly not a superstition activity of primitive people. Rain dancing was a practical art that was perfected over of thousands of years by people who observed nature and used the energy of music to enhance their lives!

* This article has been posted in its entirety with the permission of the author

Jill Mattson is a prolific Artist, Musician and Author. Jill is a four – time author and widely recognized expert and composer in the field of Sound Healing! She has written four books and produced six CD’s that combine intricate Sound Healing techniques with her original Award winning musical compositions (People’s Choice – Best CD of 2015 – Angels & Masters) Deep Wave Beauty CD – Best New Age CD of 2012 – Silver Award). The CD’s consist of intriguing, magical tracks using ancient & modern techniques – with sound energy & special healing frequencies to achieve profound benefits. Also available on the sites are additional free mp3’s of her Sound Healing compositions, including Solfeggio Tones, Star Energy, Flower Frequencies, Fibonacci and nature tones. Gallery and music at www.jillswingsoflight.com, www.Ancient-Music.com www.musicforbeauty.com, jillimattson@yahoo.com.

Robert O’Leary, JD BARA, has had an abiding interest in alternative health products & modalities since the early 1970’s & he has seen how they have made people go from lacking health to vibrant health. He became an attorney, singer-songwriter, martial artist & father along the way and brings that experience to his practice as a BioAcoustic Soundhealth Practitioner, under the tutelage of the award-winning founder of BioAcoustic Biology, Sharry Edwards, whose Institute of BioAcoustic Biology has now been serving clients for 30 years with a non-invasive & safe integrative modality that supports the body’s ability to self-heal using the power of the human voice. Robert brings this modality to serve clients in Greater Springfield (MA), New England & “virtually” the world, with his website, www.romayasoundhealthandbeauty.com. He can also be reached at romayasoundhealthandbeauty@gmail.